SDVI Blog

Designing your supply chain to run in an efficient, cost-effective manner is key to delivering your media on time and on budget. The Rally visualizer tool helps by providing a graphical view of the supply chain.

Updates addressed the requirements of a growing customer base, an expanding array of use cases, and the extension of Rally usage more broadly across media organizations.

2023 was a year of overcoming challenges for media organizations, as they had to navigate a combination of economic headwinds affecting subscriptions, ad spending, and new content production. Doing more with less seems to be a key theme. What do the numbers tell us?

With all the current buzz about artificial intelligence (AI) and machine learning (ML), you might think these tools are new to the media industry. In fact, ML has been a key component of automated workflows for years, helping companies realize transformational efficiencies and immense productivity gains across their operations.

Content management is a critical function for media supply chain platforms. Data comes into the media supply chain in many…

For NAB Show 2024, we asked SDVI sales leadership about their expectations for the show: Simon Adler, senior vice president for North America and Alex Emmermann, vice president of business development offer a look ahead at what attendees will see on the SDVI booth (W2313), as well as the trends and technologies likely to be big this year.

For most media companies, adapting content for wide, cross-cultural consumption is the most expensive and time-consuming part of media operations. Luckily, many of the required tasks can be automated and executed on cloud-based infrastructure. Here, we take a look at the subtitling and dubbing workflows as implemented by a major European broadcaster using the Rally platform.

Subtitles have the ability to enhance your content, allowing it to reach a wider audience. Processing and delivering subtitles can be a complex task, but Rally can help by automating and streamlining the workflow.

When something isn’t quite right with a piece of media and a manual edit is needed, using Adobe Premiere Pro to complete edit tasks has meant bringing the content to a local workstation, then rendering the new asset in the cloud again for the supply chain to continue. What if there were no movement of content to local workstations for any type of edit? We now have a solution for that.